MUSEUMS



At the back of Via Roma The archeological museum was once a sixteenth century convent of
The compagnia di San Filippo Neri. It has a wonderful collection of artefacts, Two of the
cloisters house maritime objects and things pulled from the sea of the island's coast. There is
an incredible sculpture of a giant Zeus on his throne. There are a number of stone sculptures
reassembled from various temple sites such as Himera and Selinunte. In fact there is an entire
room, the Salone di Selinunte dedicted to these finds that include the metopes of Selinunte
and panels depicting mythological scenes. There are works that date back to the fifth century
B.C. with Perseus beheading the Medusa with a sword.
Another interesting museum lies on the edge of a park north of Piazza Castelnuovo, La
Favorita. The Museo Etnografico Pitrč is the decisive exhibition of Sicilian culture and folklore
on the island. You will find a wealth of brightly painted carts boasting scenes of the Paladins, a
reconstructed puppet theatre and dozens of the expressive puppets and scenery backdrops.
Other Sicilian artefacts include terracotta figures, dolls and games, bicycles, and painted
masks. If you are really interested in a traditional form of entertainment the go to
Via Butera for the definitive Museo delle Marionette, that houses the complete collection of
puppets, screens and painted scenery in Palermo. Puppet theatre was a traditional Sicilian
entertainment although it is now only staged a a tourist attraction. The stories focus on the
exploits of the hero Orlando, the dashing knight who fought against the Saracen invaders,
finishing in a great battle.
In Via Alloro at the seaward end, is the Palazzo Abatellis, a fifteenth-century palace that has
become Sicily's Galleria Regionale or regional gallery displaying a stunning medieval art
collection. Downstairs you will find sculpture when you have overcome the powerful fifteenth
century fresco of the Triumph of Death that fills the entire wall. The artist is unknown although
he is considered to have been Flemish who cast Death as a skeletal archer riding a rakish
horse that tramples the victims of the archer's arrows. The other masterpiece on the ground
floor is the fifteenth-century white marble bust sculpture by Francesco Laurana of Eleonora of
Aragon. Upstairs are the paintings, including a fourteenth-century Byzantine mosaic of the
Madonna and Child, and vivid ecclesiastic paintings of the coronation of the Virgin. There is
also a collection of works by Antonello da Messina featuring the Annunciation.


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